“magnificently surreal and gloriously cinematic…. a tightly written and brilliantly executed piece that turns the London landscape into a thriller movie, framing the city so that we see it with the eye of a cinematographer.”
“a final sequence so spectacular it seems almost unreal that you are witnessing it live.”
“Creatively, it’s a treat. Visually, it’s a new standard.”
“a brilliantly crafted story that thrusts you into a kind of live-action cinematic experience and artfully blurs the line between reality and fiction, leading you to regard the external world with ecstatic suspicion.”
“Wilson’s visual storytelling is exceptionally strong and disciplined”
“Elegant, polished, stylish, poetic and technically formidable.”
“its makers had considered its viewers with a seriousness most adult theatre would do well to emulate.”
“one of the most beautiful meldings of person, object and image that I have ever seen”
“take a dash of Ronnie Burkett, a pinch of Catalyst Theatre, some of the humour of Mid summer and just a sprinkle of quality Brecht and you have the recipe for this Australian wonderland.”
“stunningly beautiful and imagistic”
“celebrates in the zaniest possible way the playfulness of children, while giving them a rather sophisticated glimpse into the world of music.”
jess@jessicawilson.com.au
+61 (0) 403 624 231
This is a section of my presentation at the recent IPAY Kindling session on the Mobility of Ideas.
I am an established artist with a practice in image-based theatre and participative art. I conceive, produce and direct projects which respond to people and places and which are defined by strong aesthetic languages and ambition in purpose. My strength is in marrying poetics and pragmatics - bringing together artists, non-artists and non-arts industries and technologies in unusual experiences, which engage with broad audiences.
I have a long history of experimentation with buses, because I love the idea of bridging the gap between theatre and film, working with landscape as an artform, and attracting a non-theatre going audience.
My bus work PASSENGER (created with Ian Pidd and Nicola Gunn) premiered in Melbourne before being re-routed onto London for the Greenwich and Docklands International Festival and Sydney for Art & About this year. Last year I also created THE NARRATOR, in collaboration with a team of Latvian artists for the Valmieras International Festival.
With a strong international profile I have started to receive many invitations to adapt my tested ideas to new landscape and people. Examples of this are Latvia and Koln where I adapted I SEE YOU LIKE THIS to 3 different contexts for the Westwind Festival.
I SEE YOU LIKE THIS is part of a suite works with child identity at their core. In it, a child art directs a bizarre photo portrait using their parent’s face as their canvas and the image is exhibited in a professional context. ISYLT has undertaken countless seasons since its creation in 2016, in Australia and Europe, amassing a collection of over 1400 portraits. It was the only Australian project selected to Showcase at IPAY in USA in 2020.
I am very interested in reimagining landscape by ‘theatricalising’ sites in unusual ways and holding a dramatic arc whilst moving an audience across place. I received a 2019 VICTORIAN CREATOR grant to explore this territory further. THE WAYFINDERS is one of the new projects emerging from this time - a new open-air beacon-triggered sound experience for young children produced through Artplay’s New Ideas Lab.
My existing suite of projects build on a long history of theatre works for young people presented by Sydney Opera House, Arts Centre Melbourne, Artplay, national festivals and international venues including the New Victory in NY, Redmoon in Chicago, and Le Coups De Theatre in Montreal.
I always produce my own work, but did undertake a stint as the AD / CEO of Terrapin between 1999 and 2004. I have consistently created large-scale open-air theatre, which is where my practice began. And I sometimes conceive and mange long-span participative projects such as THE EDGE OF US which was a 2 year long Small Town Transformation project where 5 small towns created thousands of light based sculptures on the water’s edge and permanent light galleries were built in 2018.
Across my 25-year carer,I have remarkably raised $5.5 million towards artistic ventures I have visioned myself. I sit on panels, work regularly as a mentor and as a teacher practitioner in university contexts including Monash, Deakin and University of Melbourne.
SOME PROJECT HIGHLIGHTS ARE…..
PASSENGER (Producer, CoDirector): theatre with its audience onboard a traveling bus. Passenger frames the world as a film and evolves an ordinary conversation between two passengers into a dramatic Western film. Passenger premiered in Docklands Melbourne, played at London's Greenwich and Docklands Festival in 2019 and at Art and About in 2020. It received funds from the Australia Council and the City of Melbourne towards its development and UK tour.
THE NARRATOR (Director): a 2019 commission of Latvia’s Valmiera Theatre Festival resulting in a work on board a bus for children under the original title Unwanted.
THE EDGE OF US (Artistic Director): a Vic Govt Small Town Transformation project in 5 tiny Westernport towns resulting in the installation and activation of 5 outdoor light galleries and a two-year long program of ambitious participative art making.
I SEE YOU LIKE THIS (Director, Producer): roles are reversed when children use a parent's face as the canvas for a professional photo portrait. ISYLT was developed through Artplay's New Ideas Lab in 2017, has been presented in seasons at Arts Centre Melbourne, Darebin Arts Centre, Melbourne Knowledge Week, at Krokus Festival in Belgium and in Cologne amassing a collection of over 1000 portraits.
DWELLING (Director, Producer): large scale open air work for the 2014 Big West Festival inside a custom built house and involving animated projection and participative performance. Dwelling was nominated for a Green Room award for its visual aesthetics and was funded by the Australia Council as well as philanthropics.
STILL AWAKE STILL! (Director, CoProducer, Devisor): a theatre work for children which was premiered at the Arts Centre Melbourne before undertaking big Australian and US tours with Playing Australia support, notably to the New Victory Theater on 42nd Street in NY.
HOW HIGH THE SKY (CoDirector, CoCreator): an acclaimed interactive works for baby / parent pairs, produced by Polyglot for the Melbourne Festival at the Arts Centre 2012.
DREAM MASONS (Creative Producer, CoDirector): a massive spectacle which took place on the wall of the Salamanca Arts Centre and played to 14,000 Hobartians across 3 nights.
DR EGG AND THE MAN WITH NO EAR (Producer, Director, CoWriter): a puppet and animation based work which performed at the Sydney Opera House, the Victorian Arts Centre, in Chicago at Redmoon Theater (2008 - nominated for 4 Jeff Awards), and Canada. DR EGG won the AWGIE for Best Script for Young Audiences in 2011.
I began my career as co-director of BRINK PERFORMANCE GROUP in Brisbane (1994-1999) making the feature work UNDER THE BIG SKY set on the Kangaroo Point cliffs for QPAT's Stage X festival. I have been based in Melbourne since 2005.